The diamond stays. These are three treatments for everything after it — same complete data, three different levels of image presence. Each shows desktop and a phone frame. All three keep one repeated grammar (the law that fixed the mess).
The conceit: your 150BC chapter is sheets S01–S04 — the pergola data becomes the NEXT SHEETS in the same drawing set. Each roof is one bordered sheet: title block, a BIG per-part render strip, then the data in drafted columns. Sides+kit share one sheet; finishes get their own with the paint band full-width. It reads as a technical document that happens to be beautiful — no interactions to learn at all.
88 CODES AS PRINTED · CLICK A CHIP — THE BAND REPAINTS · SCREEN-INDICATIVE — CONFIRM AGAINST PHYSICAL SAMPLE
One table, one picture spine. The rows stay exactly as clean as now — but a sticky media panel rides beside them and CROSSFADES to whatever group you're reading: louvered detail during R1, the glass rack during SIDES, the painted band during COLOUR. Scroll the rows below to feel it. Mobile: the picture docks as a slim band above the rows. Display-only — no controls to learn.
Closed, the data region is a stack of cinematic cover bands — one per group, big render, name, three-word summary. Tap a cover and its rows unfold beneath it (one open at a time; the first opens by default). The stack itself becomes the visual moment; the rows stay the same clean grammar. Click the covers below.
My call: Idea 1 (THE SHEETS) — it turns your best asset (the S01–S04 sheet identity) into the whole data system, needs zero new interactions, and is the most "technical dossier" of the three. Idea 2 adds quiet life to the exact table we have. Idea 3 is the most mobile-native but hides data behind taps. Mixes work too — e.g. SHEETS with the SPINE's crossfade inside each sheet strip. Reply with 1 / 2 / 3 or a mix.